The Book of Freaks — Austen Cordasco
A literary recollection of Chelmsford music venues from the Animals and Prince of Orange through the Army and Navy, Y Club, Bassment and Asylum.
A central part of Chelmsford Rocks. Memories are presented as memories — not silently converted into fact.
Surviving recollections mention Pete Townshend stopping “My Generation” after a fan came onto the stage and damaged his jacket; meals and drinks at the Fleece; the opening of the show; Pete smashing a guitar; Keith Moon; and the atmosphere around the old Corn Exchange. Different recollections are kept as individual voices.
Comments survive around the advertised programme featuring The Fairies, Zoot Money, John Mayall, Mark Four and the forthcoming George Fame appearance. These are attached to the programme rather than treated as one person's definitive account.
Memories include the 65p admission, Barry Colbourne, Argent, Arcadium, the Eyes Club and other Civic Theatre experiences. Where comments refer to different nights, they remain separate.
Maurice's personal archive records his attendance and includes an “I WAS THERE!” badge and crowd imagery. Other recollections remain tied to the festival material.
Read Mark and Crispin on related Chelmsford music memories →
Three separate first-hand recollections survive for the White Riot Tour: Ash (July 2010), Duncan Egleton (June 2010) and Maurice Hyde. They are kept as individual voices because they remember different details of the same night. The surviving ticket establishes the event date; the recollections add personal experience and atmosphere rather than replacing documentary evidence.
The site owner remembers attending the Tyla Gang (22 January), Tonight (5 February) and British Lions (20 February) shows. The existing record keeps personal attendance separate from the contemporary evidence supporting each date.
Read the full memory record · Tyla Gang event evidence · Tonight event evidence · British Lions event evidence
Essex Archives Online’s catalogue summary of Ian Fortnam’s oral-history interview specifically mentions the Essex Live gig, names Modern English and AD3, and records that Anorexia went down better than the other bands. This is event-specific local-memory evidence, kept distinct from the contemporary advert.
The site owner remembers both names being advertised around this date, but did not attend either show. The event remains unresolved; this recollection is evidence about publicity, not proof that either show took place.
The surviving personal list says “1977 or 78” and the site owner remembers seeing Bethnal but cannot now confirm the exact date. Separate documentary candidates remain separate from this uncertain memory.
Read the full memory note · Review the separate appearance research
Where a memory sits alongside a selected event record, the two are linked rather than merged into one voice. Direct attendance recollections and event-specific oral-history evidence are linked to their event records. Publicity-only or date-uncertain memories are kept in the separate unresolved-clues section below.
Other selected event records may have related archive material, but they are not presented here as memory records unless the current archive contains a direct matching connection.
The 8 October 1978 Enid / The End recollection concerns publicity and does not establish either show took place. The Bethnal list entry remains “1977 or 78” and is not forced to match the separate dated documentary candidates. Enid / The End note · Bethnal note
A literary recollection of Chelmsford music venues from the Animals and Prince of Orange through the Army and Navy, Y Club, Bassment and Asylum.
An attendee recalls seeing The Action and compares the set with The Who; the date remains month-only and subject to confirmation.
Maurice Hyde recalls an entertaining set the previous night, including songs from The love that kills.
A recollection attached to the Two Eyes Club Flickr source describes the US air-force base at Wethersfield, a London Road café used by local mods, scooters outside, and Martin Havalin later turning the café into the Pop In record shop. It also recalls imported ska, bluebeat, R&B and soul records and trips to gigs around Essex and London.
Maurice Hyde’s source account remembers the 17 September festival, its advertised line-up and ticket prices, The Damned not appearing, and the later Chancellor Hall return. The account remains attributed personal testimony alongside the poster and ticket evidence.
The Flickr page records three Chelmsford dates and includes a comment correcting another date in the local music history. Existing memories about The Who at the Corn Exchange remain individual voices and are not used to prove every item in the source caption.
Former promoter Sean Hudson’s interview recalls bookings and venue life, including the Heavy Metal Kids show moved there in 1992, an Oasis recollection from 1994, and the venue’s reported final period in 2002. These details are retained as oral history and linked to the venue source record.
The Flickr source caption associates a Chancellor Hall ticket with The Damned and 999 and remembers a 90p admission charge connected with covering hall costs after the City Rock ’77 dispute. The ticket and the explanation are kept as separate kinds of evidence.
A contributor who was 15 remembers jug bands and lesser-known acts in the marquee, dancing to Steeleye Span and the Strawbs, and sets by Sandy Denny, “Al Steward” and Roy Harper. They remember Joni Mitchell being expected but not appearing; the explanation heard at the time remains unverified. The contributor recalls a small, friendly and intimate crowd.
David remembers travelling from Middlesbro for the 1972 Chelmsford Folk Festival, principally to see the Strawbs, and also remembers Harvey Andrews as a memorable performer. This is preserved as his personal recollection.
A supplied memory places Jasper Carrott at Chelmsford Folk Club at the Three Cups circa 1972/73. The approximate date is retained as given.
Roger Perry recalls Paul Simon, Art Garfunkel, Bert Jansch, Martin Carthy and others appearing at Chelmsford folk clubs during the 1960s. He remembers Paul Simon introducing a friend, followed by Art Garfunkel joining him to sing. The recollection names the Queen’s Head, White Horse, Dolphin and Spotted Dog as club venues.