Mick & Sarah Graves; Geoff & Penny Harris
Surviving recording, sides 2 and 4 of 4. The catalogue identifies Mick and Sarah Graves and Geoff and Penny Harris.
SA 30/6/402/1 · Jim Etheridge Recordings
Open Essex Archives catalogue recordA practical index of surviving Essex Record Office catalogue records already established in this archive. Each entry keeps the catalogue reference, date and surviving description together so that researchers can move from the Chelmsford Rocks interpretation back to the external archival record.
Surviving recording, sides 2 and 4 of 4. The catalogue identifies Mick and Sarah Graves and Geoff and Penny Harris.
SA 30/6/402/1 · Jim Etheridge Recordings
Open Essex Archives catalogue recordParts 2 and 4 of 4. The catalogue names Colin Cater as introducer and lists the songs and tunes performed by Martin Carthy across the two halves.
SA 30/6/425/1 · Jim Etheridge Recordings
Open Essex Archives catalogue recordParts 1 and 3 of 4. The catalogue names floor singers, Annie Harding singing Reynardine, and Chelmsford Morris performing three dances for its tenth anniversary.
SA 30/6/428/1 · Jim Etheridge Recordings
Open Essex Archives catalogue recordThe catalogue identifies the compere, floor singers, Simon Ritchie and Bobbie?, Steve Morris and other named performers. The uncertain catalogue spelling/name is retained here rather than silently normalised.
SA 30/6/653/1 · Jim Etheridge Recordings
Open Essex Archives catalogue recordThe Record Office identifies Paul McCann and Jill Palmer-Swift in connection with East Anglian Dulcimers at Chelmsford Folk Club. The item is also featured on the Essex Record Office listening bench.
SA 30/6/712/1 · Jim Etheridge Recordings
Open Essex Sounds listening-bench recordSingers' Night part one, including Residents' Band music, named singers, dances from Seven Straw Braid and tunes from Phil Heath-Coleman.
SA 30/6/736/1 · Jim Etheridge Recordings
Open Essex Archives catalogue recordThe external record is the authority for what the archive catalogue currently says about each surviving item. Chelmsford Rocks preserves that distinction rather than turning catalogue descriptions into broader claims.
Essex Record Office says some recordings are available online through Essex Archives Online, while others can only be accessed in the searchroom because of copyright restrictions. Original recordings are not issued; access copies are provided instead.
ERO access informationThe Record Office's folk-music guide says Jim Etheridge recorded almost every Chelmsford Folk Club between 1978 and 1986, often capturing whole evenings. That describes the surviving collection context; it is not used here to manufacture missing session records.
Folk music collection guidePerformance Records · Evidence Matrix · Evidence Intersections · Source Trail · Paper Trail · Oral-History Index · Folk Club Timeline