CHELMSFORD ROCKS
Live music, memories & history from Chelmsford and beyond.
Established January 2006
Folk Club research / recording gaps

Folk Club Recording Research Targets

A working list of the most useful next checks for the surviving Chelmsford Folk Club recording trail. This page does not invent missing performances. It identifies which gaps could potentially be tightened by checking catalogue records, access copies, Essex Folk News, paper records or oral histories.

Evidence rule: the Record Office describes Jim Etheridge's collection as unusually rich, with almost every Chelmsford Folk Club recorded between 1978 and 1986 and usually two cassettes per evening. Individual catalogue records still control what we can say about a particular surviving item. Collection-level coverage is not treated as proof that a particular missing side survives.

Highest-value targets

1. Identify missing sides

Where a catalogue record says parts such as 2 and 4 of 4, or 1 and 3 of 4, first establish whether the other parts exist elsewhere in the same accession or remain genuinely absent.

Best route: SA 30/6 catalogue + access copy / Searchroom check.

2. Reconstruct bills, not tapes

Use Essex Folk News and surviving guest lists to establish who was booked on a date, while keeping that separate from the question of which parts of the evening survive on tape.

Best route: LIB/PER 2/22/1–50 + SA 30/2/3/4.

3. Test venue assumptions

Do not assign an undated recording to a particular room merely because it falls within a remembered venue period. Seek contemporary programme, newsletter or guest-list evidence.

Best route: paper trail + Essex Folk News + oral history.

4. Extract programme detail

Where a recording is known but the programme is not, look for named guests, floor singers, MCs and club notices in contemporary publications before adding anything to the event layer.

Best route: Essex Folk News and surviving club papers.

Session-by-session targets

SessionKnown boundaryMost useful next checkDo not infer
1978 Christmas Special — SA 30/6/94/1Surviving catalogue recordProgramme, performers and contemporary noticeNamed performers without a source
18 Jul 1982 — SA 30/6/402/1Named Graves / Harris sessionPaper bill and any additional catalogue descriptionComplete evening from a single surviving reference
17 Oct 1982 — SA 30/6/425/1Parts 2 and 4 of 4; Martin CarthyCheck whether parts 1 and 3 survive or are separately cataloguedMissing repertoire or missing spoken material
7 Nov 1982 — SA 30/6/428/1Parts 1 and 3 of 4; Annie Harding / Chelmsford MorrisCheck remaining parts and contemporary club noticeUnrecorded dances or a complete programme
3 Mar 1985 — SA 30/6/653/1Recording ends abruptly; Simon & Bobbie Ritchie identifiedCheck catalogue/access copy for exact surviving extentA complete performance or complete evening
22 Dec 1985 — SA 30/6/712/1East Anglian Dulcimers identifiedContemporary programme and any further catalogue detailFull bill from the published photograph/caption alone
20 Apr 1986 — SA 30/6/736/1Part 1 of 2; Seven Straw Braid / Chelmsford AssemblyCheck whether part 2 survives or is separately cataloguedSecond part's contents

Why the archive check matters

Essex Archives Online explains that its catalogue provides descriptions of archive items but not necessarily the full text of documents. It also notes that some sound recordings can be accessed online while others are restricted to the Searchroom, and that some recordings have not yet been catalogued or digitised.

That means a catalogue search can establish a great deal, but a missing online result is not automatically proof that a recording or paper item does not exist. The research targets therefore distinguish not found online from confirmed absent.

Research routes

Recording Collection · Recording Evidence Matrix · Recording Reconstruction · Recording Provenance · Documentary Crosswalk · Essex Folk News Trail · Source Access Guide